Thursday, 20 June 2013
Tim Burton
Tim Burton
Tim Burton was born on August 25, 1958, in Burbank,
California. After majoring in animation at the California Institute of Arts, he
worked as a Disney animator for less than a year before striking out on his
own. He became known for creating visually striking films that blend themes of
fantasy and horror, including Beetlejuice, Edward Scissorhands, Batman,
and The Nightmare Before Christmas.
films by time
burton
-Alice in wonderland
-Frankenweenie
-The nightmare before Christmas
-Dark shadows
-Corpse bride
-Batman
-Edward Scissorhands
-Big fish
-Vincent
-Beetle juice
-Batman
returns
-Sleepy
Holow
-9
-Big eyes
-Planet of
the apes
-Charlie
and the chocolate factory
-Sweeney
todd
-Mars
attack
-Frankweenie
-The raven
-Abraham
Lincoln, vampire hunter
-Ed wood
-Peewees
big adventure
-Batman
forever
-James an
the giant peach
-Singles
-The island
of doctor agor
-Stalk of
the celery monster
-Cabin boy
-Star kid
-Hansel an
Gretel
-Happy
birthday
-The toxic
boy
-The girl
who stares
-The robot
boy
-The
bowling ball
-Stainboys
day off
-The match
girl
-Spike and
mikes classic festival
-Coraline
-Paranorman
The popular Tim Burton
exhibition that originated in 2009 at New York's Museum of Modern Art and has
since toured internationally, including a stop last year at the Los Angeles
County Museum of Art, is next heading to South Korea. "Tim Burton" is
scheduled to open at the Seoul Museum of Art on Dec. 12 and will run through
April 14. It marks the first time the exhibition has traveled to Asia. Its
previous stops were in Paris, Toronto and Melbourne, Australia. MoMA had
stated in the past that Paris would be the last city for the exhibition. –Los Angela’s
Times
Burton is, famously, not the
most garrulous of men. His generous visual gifts come at the expense of much in
the way of verbal pyrotechnics. Which is to say you don't have to chat to him
for very long to understand why Bonham Carter likes to call him "a home
for abandoned sentences". (He tends to return the compliment by sometimes
making affectionately snide remarks about her talkativeness; in this, and most
other ways, they seem to make a perfect pair). Burton is not so much vague in
conversation as fleeting. Immediately a phrase half conveys its sense, he is
already articulating its caveats or some further association. He's a dot-to-dot
talker, happy for you to do the grunt work of making connections.
When Johnny Depp, the third
point of that celebrated creative triangle, first met Burton, to discuss Edward
Scissorhands, his initial thought about the director was "get some
sleep". Burton seemed to the actor "a pale, frail-looking, sad-eyed
man with hair that expressed much more than last night's pillow struggle".
Thoughts were as likely articulated with frenzied movements of the hands,
"the way he waves them around in the air uncontrollably, nervously tapping
on the table", or with sudden stares "eyes wide and glaring out of
nowhere, curious, eyes that have seen it all". They got on, Depp recalls,
because they could stumble through and intuitively fill in the holes of each
other's stilted syntax. –the guardian
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